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Measures: 60 - 150
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Hyeon Kim
부활 - 생각이나
Hyeon Kim
3:43 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 60 3 7 100%
Bass 24 17 5 7 98%
Flute Treble 15 0 3 10 83%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 60 3 7 100%
Bass 24 17 5 7 98%
Flute Treble 15 0 3 10 83%
 
Bach - Jesu, Joy of Man's Desiring (BWV 147)
Hyeon Kim
4:18 Est. Play
Time
104 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 22 1 7 4 100%
Bass 19 11 4 7 100%
Flute Treble 16 0 2 11 65%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 22 1 7 4 100%
Bass 19 11 4 7 100%
Flute Treble 16 0 2 11 65%
 
Mozart - "Elvira Madigan", Piano Concerto 21, 2nd Mov. for Flute and Piano
Hyeon Kim
4:41 Est. Play
Time
77 Measures
1,197Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 35 32 13 3 85%
Bass 37 42 12 8 94%
Flute Treble 26 0 9 12 77%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 35 32 13 3 85%
Bass 37 42 12 8 94%
Flute Treble 26 0 9 12 77%
 
Beethoven - Romance in F, for Flute and Piano
Hyeon Kim
3:29 Est. Play
Time
104 Measures
1,377Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 92 12 8 100%
Bass 29 43 10 8 97%
Flute Treble 32 0 13 12 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 32 92 12 8 100%
Bass 29 43 10 8 97%
Flute Treble 32 0 13 12 74%
 
Händel - Lascia Ch'io Pianga, for Baroque Flute (A=415)
Hyeon Kim
3:45 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 21 3 8 100%
Bass 16 17 3 5 100%
Flute Treble 12 0 4 11 70%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 21 3 8 100%
Bass 16 17 3 5 100%
Flute Treble 12 0 4 11 70%
 
Händel - Lascia Ch'io Pianga, for Flute and Harp
Hyeon Kim
0:01 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 24 5 9 100%
Bass 16 24 4 6 100%
Flute Treble 12 0 3 12 71%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 24 5 9 100%
Bass 16 24 4 6 100%
Flute Treble 12 0 3 12 71%
 
Händel - Lascia Ch'io Pianga, for Flute and Cello
Hyeon Kim
3:36 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 17 3 6 100%
Bass 16 6 2 5 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 18 17 3 6 100%
Bass 16 6 2 5 99%
Cello Bass 20 0 2 8 89%
Flute Treble 15 0 3 11 89%
 
김효근 - 내 영혼 바람 되어
Hyeon Kim
4:29 Est. Play
Time
79 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
피아노
 Treble 32 114 8 10 100%
Bass 33 20 9 9 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
피아노
 Treble 32 114 8 10 100%
Bass 33 20 9 9 99%
Flute Treble 20 0 4 9 78%
Voice Treble 15 0 3 8 76%
 
최대석 - 만남
Hyeon Kim
3:36 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 2 0 4 97%
Bass 10 0 0 4 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 2 0 4 97%
Bass 10 0 0 4 92%
Flute Treble 15 0 0 12 100%
Voice Treble 9 0 0 10 75%